Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from East Timor, Timor, Timor-Leste
 

237 Timor, East Timor


Tais (sarong)detail  magnifiermicroscope



Locale: Suai-Camenaça, Suai-Loro or Camenaça village, Cova Lima District. Tetun people.
Period: 1935-1950
Yarn: Commercial cotton, double ply.
Technique: Warp ikat
Panels: 2
Size: 69.5 x 143.5 cm (2' 3" x 4' 8")   LW: 2.06
Design: Tais metan with deeply saturated, almost black, indigo field and two bands decorated in ikat with the traditional lakulo motif, a stylized version of a patola jilamprang motif. Each lakulo is separated by 4 diman, arrow, patterns. In Suai, the number of diman on a textile can range from 3 to 12. Textiles with 6 diman or fewer can be put up for sale, those destined for ritual use must have at least 7 diman. The ikated bands have borders of warp-float, foit, on either side.
Comment: Very tight ikat work and saturated tones, showing the hand of a master weaver. According to Barrkman (see work below), this type of tubeskirt is worn draped over a woman's shoulder when she advises family members and neighbours that a relative has passed away. It may also be chosen for everyday use, as well as at ceremonies. This example clearly was used only sparingly. Excellent state of preservation.
Background: Chapters on Timor and East Timor.
Exhibited: Hong Kong University Museum and Art Gallery, 2017.
Timor: Totems and Tokens, Museu do Oriente, Lisbon, 2019/20.
Published: Ikat Textiles of the Indonesian Archipelago, 2018.
Timor: Totems and Tokens, 2019.
Ikat Textiles of Timor: Indonesian and Timor-Leste, 2025.
Compare: 236
Sources: Near identical to early 20th C. tais metan depicted in Barrkman's contribution to Hamilton, ed., Textiles of TImor, Fig. 8.22 and 8.23. A much younger and less refined tais is shown on Fig. 8.17, making starkly visible the drop in quality over half a century. Idenfitication of motif as jilamprang emulation, Fig. 8.20, caption. Information of motifs by Rosália E.M. Soares. Below: tais metan worn during 'Dança de Cobra' in Suai. Postcard, 1950s.

  
Add personal note




©Peter ten Hoopen, 2024
All rights reserved.